I designed Haunters Wanted! as a reverse-haunt experience where kids and their grownups get to do the scaring! Called upon by the late candy heiress Carmelia Beuchaunters herself, guests help their ghostly hostess trigger different “haunted” effects in order to scare away the meddlesome and silly production crew of a ghost-hunting TV show. Young kids love to jump out and surprise people, and they’ll be giggling like ghouls when they see the over-the-top reactions the ghost hunters have to their scares.

Dragonslayer is a hypothetical coaster which pays homage to 80s sword-and-sorcery films. I was inspired by equine motocoasters like Pony Express at Knott's Berry Farm or Steeplechase at Luna Park, but differentiated my concept by making it medieval rather than western… and adding this massive dragon!

Eggspedition: Easter Bunny is a hypothetical dark ride concept that takes riders on a tour of the Easter Bunny’s burrow via ride vehicles designed to look like Fabergé eggs. The Easter Bunny is reimagined here as a kind of renaissance master, sculpting chocolate statues and painting frescos on eggs within his burrow-based art studio. As guests travel down the winding tunnels of his burrow, they take on the role of his honorary apprentices and see just how the magic of Easter comes together.

End of the World: An Antarctic Museum Adventure is a hypothetical immersive museum experience meant to educate and inspire families with the incredible story of Ernest Shackleton’s daring explorations of Antarctica. What could be depicted as a frigid story of survival is instead depicted as a colorful adventure, meant to inspire scientific curiosity in children even as it avoids the colonialism which tragically so often casts a shadow over the kinds of adventure stories traditionally aimed at children (Antarctica has never had a native people).

Campfire: Theatre in the Round began as a hypothetical solution to the lack of nighttime entertainment at a Midwestern amusement park inspired by the theme of the great outdoors. The question that inspired the project was this: if the campfire is where the community gathers at night, then how many more could gather if we made the fire larger?

When the Ekernally Yours Popcorn Company needed a vehicle wrap, the challenge presented was larger than it first appeared. At that point in time, Ekernally Yours had no brand identity beyond its logo, which meant that the vehicle wrap needed to simultaneously show off a new design and appear visually similar to what had been established through Ekernally’s other media outlets (web, etc.).